It is talks season and we are busy preparing powerpoint presentations, reading lists, website links and so on. Beverly will be presenting a 3-part talk series “An Introduction to Contemporary Art in Malaysia” at Galeri Petronas starting this evening while I am preparing “Current Developments in Contemporary Southeast Asian Art” for Asia Art Forum in Hong Kong this coming May.

The organisers have requested that I put together a ‘further reading list’ for those interested in Southeast Asian art. Unfortunately, publishing is not our region’s forte but there are a few valuable gems and references. Here they are in chronological order:

Indonesian Contemporary Art Now
By Marc Bollansee and Enin Supriyanto
SNP Editions, 2007
ISBN-13: 9789812481429

Between Generations: 50 Years Across Modern Art in Malaysia
Beverly Yong and Hasnul J Saidon (editors)
Universiti Malaya Press, Universiti Sains Malaya Press & Valentine Willie Fine Art, 2007
ISBN: 983861348

Contemporary Art in Singapore
With Essays by Russell Storer, Gunalan Nadarajan and Eugene Tan
Institute of Contemporary Arts (ICA) Singapore, 2007
ISBN-13: 9789810564612
(Note: ICA Singapore is a part of LaSalle-SIA College of the Arts)

Telah Terbit (Out Now): Southeast Asian Contemporary Art Practices during the 1970s
Ahmad Mashadi
Singapore Art Museum, 2006
(Note: This is an exhibition guide and does not qualify as a book but the introduction essay for this show is insightful and really worth the read)

Art and Social Change: Contemporary Art in Asia and the Pacific
Caroline Turner (editor)
Pandanus Press, 2005
ISBN-10: 1740760468

Protest: Revolutionary Art in the Philippines, 1970-1990
By Alice Guillermo
University of Philippines Press, 2005
ISBN-10: 9715421679

Exploring Modern Indonesian Art: The Collection of Dr. Oei Hong Djien
By Helena Spanjaard & Oei Hong Djien
SNP Editions, 2004
ISBN-13:  9789812480101

Flavours: Thai Contemporary Art
By Steven Pettifor
Thavibu Gallery, 2003
ISBN-10:  9749173767

Image to Meaning: essays on Philippine Art
By Alice Guillermo
Ateneo de Manila University Press, 2001
ISBN: 9715503764

Contemporary Art in Asia: Traditions, Tensions
Essays by by Apinan Poshyananda, Thomas McEveilley, Geeta Kapur, Jim Supangkat, Marian Pastor Roces, Jae-Ryung Roe
Asia Society, 1997
ISBN-10: 0878480838

Modern Asian Art
By John Clark
University of Hawaii Press, 1998
ISBN-10: 9057040417

Southeast Asian Art Today
Joyce Fenema (editor)
Roeder Publications, 1996
ISBN-10: 9810060025

Vision and Idea – Relooking Modern Malaysian Art
T.K Sabapathy (editor)
National Art Gallery (Malaysia), 1994
ISBN-10: 9839572016
(Note: This book is unfortunately out of print but you can find it in some libraries in Malaysia and Singapore)

Modern Art in Thailand: Nineteenth and Twentieth Centuries
By Apinan Poshyananda
Oxford University Press, 1992
ISBN-13: 9780195885620

UPDATED NOTE: It seems I have overlooked another key publication. Please also check out

Indonesian Women Artists: The Curtain Opens
by Carla Bianpoen, Farah Wardani Et Al
Yayasan Seni Rupa Indonesia, 2007
ISBN-13:  9789791656207

I apologise as these titles may not be readily available at your local bookshops but for those of you interested (and living in Kuala Lumpur), do visit the resource room at Valentine Willie Fine Art if you feel like browsing. For those keen to purchase these books, I believe Select Bookstore in Singapore stocks a number of titles, or feel free to email us contact@rogueart.asia and we’d be happy to point you in the right direction.

Also, I’d like to bring to your attention “Figuring The Times: Philippine Paintings 1996 – 2009, A Selection from the Paulino Que Collection”. This catalogue documents a small selection of works from Mr. Paulino Que’s vast collection. It was launched in conjunction with an exhibition sharing the same title on March 13th at Finale Art File, a highly anticipated show among the locals as Mr. Que is one of Manila’s most renowned and well-respected collectors. Exhibition ends April 3rd. For those of you in Manila, this show is not to be missed. Seriously. This is truly a rare opportunity to view some stunning Pinoy paintings from Mr. Que’s collection as this serious collector is somewhat ‘shy’ and does not make a habit of receiving guests regularly at home. (AO)

It was a busy June for RogueArt. We’ve been meaning to put up these pictures from our Where Art Happens talks series but the three of us seem to be running relay in and out of KL.

Our series of three Saturday talks was all in all a great success thanks to our wonderful speakers from both Malaysia and abroad, our sponsor Yayasan Sime Darby, media partner Off The Edge, as well as to the fantastic audience, especially those who faithfully came for the full whack. We ourselves were impressed with the turnout, and salute all those who came for their dedication to the issues surrounding art in our community.

Session 1 – Art Spaces: Policies, Agendas and Ways Forward got off the ground with a most venerable panel of speakers – Dr Najib Dawa, Director-General of our National Art Gallery, Ahmad Mashadi, Head of Singapore’s NUS Museum, Hasnul J Saidon, Director of Muzium & Galeri Tuanku Fauziah at USM in Penang, and Iqbal Abdul Rahim, Creative Producer for Bank Negara Malaysia Museum and Art Gallery. It was a lesson in the challenges facing institutions dealing with art today, but it would seem that there is a general recognition of changing contexts and a sense of investment, particularly for the university museum-galleries, in developing future generations of audiences. It was particularly exciting to get a peek at the plans for the new Bank Negara museum and gallery which looks extremely impressive, and while it is very much a multi-faceted institution dedicated to more than just art, we’re sure it will make a big impact on our corner of local civilisation.

L-R : Dr Najib Dawa, Hasnul Saidon, Ahmad Mashadi, Iqbal Abdul Rahim & Beverly during a floor discussion

In the afternoon Rifky Effendy an indendent curator from Indonesia who took us on a quick tour of the Indonesian art scene which has changed dramatically since the regional market began to boom a few years ago. Pang Khee Teik, Programme Director of the Annexe Gallery waxed political and philosophical on the dangers of art policy, and the advantages of organic development (complete with arm movements). Simon Soon, a local independent curator, made a sweep of independent and alternative spaces in the region, showing us the breadth and depth of bold and exciting artists’ intitiatives from Malaysia to Indonesia, Thailand and Vietnam. Syed Nabil represented the largest sector of non-institutional spaces in Malaysia – private galleries, telling the story of his own space NN Gallery.

Surprisingly there weren’t many challenges from the floor, although one attendee did comment that it was all a lot to take in….

L-R: Syed Nabil, Simon Soon, Pang Khee Teik, Rifky Effendy & Beverly

Session 2 – Getting Out There: Art in the Community attracted the biggest crowd. It was a pretty international event, with artists Amanda Heng from Singapore and Tran Luong from Hanoi, Reza Asung Afisina & Ardi Yunanto from ruangrupa Jakarta, and Defne Ayas of ArtHub and Performa from Shanghai. From our home corner Hari Azizan talked about various Five Arts projects in the community such as Asian Youths ArtsMall, Lim Kok Yoong talked about the Let Arts Move You project on KTM trains and at KL Sentral Station in 2007, and Yap Sau Bin showed off the brilliant just released DVD of the Contemporary Art in Schools Project at Stella Maris school last year, managing to sell a few copies that day. This session was moderated by Eva McGovern. It was all very inspiring, and we had lots of audience feedback (with some pondering on the age-old question of the role and identity of art), and we hope to see more beautiful art-in-public/public art initiatives in our back yard soon.

L-R: Hari Azizan, Amanda Heng, Eva McGovern & Tran Luong

The crowd catching up with friends during lunch break

L-R: Eva McGovern, Yap Sau Bin, Lim Kok Yoong, Defne Ayas, Reza Asung Afisina & Ardi Yunanto

Session 3 – Feeding Creativity: Art Residencies and Grants had givers (in the morning) and takers (in the afternoon) give their viewpoints on the worthy practice of funding fine art.  Rahel Joseph talked about the two residency programmes she had initiated, for the Australian High Commission (Sydney) and for Galeri Petronas (Beijing), while Angela Hijjas described the RImbun Dahan residency programme(s) updated us on its latest developments, hinting at possible new programmes in Penang and Yogyakarta. Stephanie Yeap talked about the RBS-Malihom AIR programme in Balik Pulau while HOM (House of Matahati) was represented by Bayu Utomo Radjikin who told off many great initiatives by HOM including their residency programme, art competition, artists’ fund and fundraising events. Mella Jaarsma, co-founder of Cemeti Art House came to share her experiences from their Landing Soon residency programme and how Cemeti will expand on this to be a residency-based project space from next year onwards. Marion d’Cruz talked of the good work of the Krsihen Jit-ASTRO fund, and her experience with Artists’ Network Asia (ANA), and noted how there was a positive increasing trend of artists giving to artists.

Marion d’Cruz speaking about 5 Arts Centre

L-R : Angela Hijjas, Mella Jaarsma, Marion d’Cruz, Rahel Joseph, Bayu Utomo Radjikin, Sharon Lai & Stephanie Yeap

By the afternoon, things had got pretty relaxed. The last panel of the series included residency/grant veterans Malaysian artists Ahmad Fuad Osman, Chang Yoong Chia, Ise and Vincent Leong, a handsome young crew who gave eloquent presentations on the ups and downs of residency experiences (80% ups) – not being able to speak Korean, bureaucratic issues in the land under JB, the efficiency of the Taiwanese, the luxury of time and of Rimbun Dahan,freezing in Vermont, partying in Oz. We saw some of the work they did out there, too.

L-R: Roslisham Hashim (Ise), Vincent Leong, Ahmad Fuad Osman & Chang Yoong Chia

We’d just like to say thank you once again to our speakers, our sponsor Yayasan Sime Darby, media partner Off The Edge, and everyone who came and made the talks a worthwhile initiative. We hope to make this a yearly event, addressing different pressing issues for the art community.

We are preparing a fuller report on the talks which we will publish on our Projects page in the near future, so please do post here any comments or feedback on the talks series you feel may be of interest.

Meanwhile, check out our Where Art Happens art map, published in the June edition of Off The Edge, reproduced here.