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Posts Tagged ‘Dr. Oei Hong Djien’

RogueArt Recommends: Asia Art Forum

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Asia Art Forum is back ladies and gentlemen! And yes, we are helping our friends plug their gig this coming May. I was a part of last year’s series and can honestly tell you that it is an opportunity not to be missed, if you are the sort who is interested in the ins and outs of Asia’s dynamic art scene told from an insider’s viewpoint.

This year AAF will be focusing on themes and developments in artistic practice relating to the contemporary art of China, Korea and Hong Kong. The Forum will be complimented by a trip to Hong Kong’s Fotan art district, formerly an industrial area characterised by warehouses and now home to the studios of many of Hong Kong’s most prominent artists. AAF will also be devoting a day to the examination of the art market and will be looking at the role of the collector in Asia, where the audience will have the unique opportunity to listen to personal testimonies of prominent collectors building art collections in Asia today.

Fostering direct encounters with leading members of the Asian contemporary art community, the program offers privileged access to first-hand information and invaluable insights into these developing areas of Asian art history.

The exclusivity of the Forum enables and encourages the exchange of ideas between guest lectures and participants providing a singular opportunity for art professionals, collectors and enthusiasts with an interest in these burgeoning regions currently driving a major transformation of the international art world.

The seminar will take place in Hong Kong over a three day period, 21-23 May. Limited places are available.

For more information please email info@asiaartforum.com

Asia Art Forum is an educational initiative founded and produced by Pippa Dennis in association with Asia Art Radar. 15% of all profits will go to Arthub, a non-profit art and cultural organization which promotes contemporary art creation in China and the rest of Asia.

Asia Art Forum is supported by Para/Site Art Space, Hong Kong

With special thanks to The Goethe Institute and Ben Brown Fine Arts for hosting the sessions.

Programme will include:

• Bang to Boom: Chinese Art in the 1990s
Curator Karen Smith will trace the events, ideas and theories that unfolded through the 1990s to produce the backbone of China’s new art. Cynical Realism, Political Pop, performance art, photography, video, installation, and extreme conceptual expression all have their roots in this decade of tumultuous advance and experimentation, strung between the socio-political events of 1989–that began with a bang when woman artist Xiao Lu fired a gun into her work in February 1989–and the economic boom that began in 2004. The 1990s was an extraordinary incubator for art reflecting the extraordinary times that characterise the era.

• Centre and Periphery: the Dynamics of Hong Kong Contemporary Art

Eclipsed by the overwhelming attention directed at mainland China, Hong Kong artists have been free from commercial pressure to quietly develop a unique aesthetic. Compounded by the fact that Hong Kong is a place where physical platforms for visual art are curiously limited, many artists have survived by carving out private spaces far from the centres of control. This tendency towards privacy and interiority has become part of the fundamental vocabulary in the expressive content of Hong Kong contemporary art. Against this background, critic and independent curator Valerie Doran examines the quietly vibrant dynamics of Hong Kong art, past, present and future.

• Big Art in China

Philip Tinari explores the mechanisms of artistic production in contemporary China, asking how China’s unique economies of labor affect how work is made. Looking specifically at locales and situations including the studio districts of Beijing, the ceramic workshops of Jingdezhen, and the “copy” painting village of Dafen in Shenzhen, it raises questions of artistic authorship and social relations against the wider background of China’s status as “the world’s factory.”

• Asian Art Market Now

Jeremy Wingfield, Phillips de Pury’s Contemporary Art Specialist, will offer essential background and up to date information on the dynamics of the Asian Art Market today. The shift in global wealth from West to East in 2009/2010 has given rise to a new focus by Western art institutions on Asian and particularly Mainland Chinese art collectors. His candid insights into the current situation will focus on the inside players driving the Asian market forward, with special focus on the fresh opportunities available to collectors, institutions and art professionals.

• A Collectors Journey – From Hobby to Museum

Dr Oei Hong Djien, Indonesia’s foremost private art collector, will be discussing his own journey from initial fascination with his nation’s artistic culture to being the first to systematically collect modern and contemporary Indonesian art. He founded The OHD Museum of Modern and Contemporary Indonesian Art to house this unparalleled collection of 1500 pieces. As well as providing useful tools and methodologies for budding collectors Dr Oei will be looking at the role of the private collector in Asia, analysing how fundamental this position is as a preserver and promoter a nation’s artistic practise and culture in a region where governments do not necessarily support such activity.

Course
21-23 May 2010
3 day course, daily, 10-12.30am and 2-5pm

Price
5,200 Hong Kong Dollars (due on registration)
15% of all profits donated to Arthub, a non profit art and cultural organisation that promotes contemporary art creation in China and Asia.

For more information please contact:

Pippa Dennis
M (UK) +44 7786 110 561

Kate Cary Evans
M (Hong Kong) + 852 6103 0470

info@asiaartforum.com

www.asiaartforum.com

http://artradarasia.wordpress.com

(AO)


December 22nd, 2010 |

Tags: Arthub, Asia Art Forum, Ben Brown, Dr. Oei Hong Djien, Jeremy Wingfield, Karen Smith, Para/Site Art Space, Phil Tinari, Pippa Dennis, Valeri Doran




RogueArt Recommends: Reading List

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It is talks season and we are busy preparing powerpoint presentations, reading lists, website links and so on. Beverly will be presenting a 3-part talk series “An Introduction to Contemporary Art in Malaysia” at Galeri Petronas starting this evening while I am preparing “Current Developments in Contemporary Southeast Asian Art” for Asia Art Forum in Hong Kong this coming May.

The organisers have requested that I put together a ‘further reading list’ for those interested in Southeast Asian art. Unfortunately, publishing is not our region’s forte but there are a few valuable gems and references. Here they are in chronological order:

Indonesian Contemporary Art Now
By Marc Bollansee and Enin Supriyanto
SNP Editions, 2007
ISBN-13: 9789812481429

Between Generations: 50 Years Across Modern Art in Malaysia
Beverly Yong and Hasnul J Saidon (editors)
Universiti Malaya Press, Universiti Sains Malaya Press & Valentine Willie Fine Art, 2007
ISBN: 983861348

Contemporary Art in Singapore
With Essays by Russell Storer, Gunalan Nadarajan and Eugene Tan
Institute of Contemporary Arts (ICA) Singapore, 2007
ISBN-13: 9789810564612
(Note: ICA Singapore is a part of LaSalle-SIA College of the Arts)

Telah Terbit (Out Now): Southeast Asian Contemporary Art Practices during the 1970s
Ahmad Mashadi
Singapore Art Museum, 2006
(Note: This is an exhibition guide and does not qualify as a book but the introduction essay for this show is insightful and really worth the read)

Art and Social Change: Contemporary Art in Asia and the Pacific
Caroline Turner (editor)
Pandanus Press, 2005
ISBN-10: 1740760468

Protest: Revolutionary Art in the Philippines, 1970-1990
By Alice Guillermo
University of Philippines Press, 2005
ISBN-10: 9715421679

Exploring Modern Indonesian Art: The Collection of Dr. Oei Hong Djien
By Helena Spanjaard & Oei Hong Djien
SNP Editions, 2004
ISBN-13:  9789812480101

Flavours: Thai Contemporary Art
By Steven Pettifor
Thavibu Gallery, 2003
ISBN-10:  9749173767

Image to Meaning: essays on Philippine Art
By Alice Guillermo
Ateneo de Manila University Press, 2001
ISBN: 9715503764

Contemporary Art in Asia: Traditions, Tensions
Essays by by Apinan Poshyananda, Thomas McEveilley, Geeta Kapur, Jim Supangkat, Marian Pastor Roces, Jae-Ryung Roe
Asia Society, 1997
ISBN-10: 0878480838

Modern Asian Art
By John Clark
University of Hawaii Press, 1998
ISBN-10: 9057040417

Southeast Asian Art Today
Joyce Fenema (editor)
Roeder Publications, 1996
ISBN-10: 9810060025

Vision and Idea – Relooking Modern Malaysian Art
T.K Sabapathy (editor)
National Art Gallery (Malaysia), 1994
ISBN-10: 9839572016
(Note: This book is unfortunately out of print but you can find it in some libraries in Malaysia and Singapore)

Modern Art in Thailand: Nineteenth and Twentieth Centuries
By Apinan Poshyananda
Oxford University Press, 1992
ISBN-13: 9780195885620

UPDATED NOTE: It seems I have overlooked another key publication. Please also check out

Indonesian Women Artists: The Curtain Opens
by Carla Bianpoen, Farah Wardani Et Al
Yayasan Seni Rupa Indonesia, 2007
ISBN-13:  9789791656207

I apologise as these titles may not be readily available at your local bookshops but for those of you interested (and living in Kuala Lumpur), do visit the resource room at Valentine Willie Fine Art if you feel like browsing. For those keen to purchase these books, I believe Select Bookstore in Singapore stocks a number of titles, or feel free to email us contact@rogueart.asia and we’d be happy to point you in the right direction.

Also, I’d like to bring to your attention “Figuring The Times: Philippine Paintings 1996 – 2009, A Selection from the Paulino Que Collection”. This catalogue documents a small selection of works from Mr. Paulino Que’s vast collection. It was launched in conjunction with an exhibition sharing the same title on March 13th at Finale Art File, a highly anticipated show among the locals as Mr. Que is one of Manila’s most renowned and well-respected collectors. Exhibition ends April 3rd. For those of you in Manila, this show is not to be missed. Seriously. This is truly a rare opportunity to view some stunning Pinoy paintings from Mr. Que’s collection as this serious collector is somewhat ‘shy’ and does not make a habit of receiving guests regularly at home. (AO)


December 31st, 2009 |

Tags: Ahmad Mashadi, Alice Guillermo, Apinan Poshyananda, Asia Art Forum, Caroline Turner, Dr. Oei Hong Djien, Enin Supriyanto, Finale Art File, Galeri Petronas, Jim Supangkat, John Clark, Joyce Fenema, Paulino Que




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