{"id":2334,"date":"2011-12-22T14:56:30","date_gmt":"2011-12-22T06:56:30","guid":{"rendered":"http:\/\/www.rogueart.asia\/ra\/?page_id=2334"},"modified":"2016-12-28T07:38:21","modified_gmt":"2016-12-27T23:38:21","slug":"territories-of-the-real-and-unreal-photographic-practices-in-contemporary-southeast-asian-art","status":"publish","type":"page","link":"https:\/\/www.rogueart.asia\/ra\/exhibitions\/territories-of-the-real-and-unreal-photographic-practices-in-contemporary-southeast-asian-art\/","title":{"rendered":"Territories of the Real and Unreal: Photographic practices in contemporary Southeast Asian Art"},"content":{"rendered":"

\"\"<\/a><\/p>\n

[SEA]<\/strong>
\nTERRITORIES OF THE REAL AND UNREAL:<\/strong>
\nPhotographic practices in contemporary Southeast Asian Art<\/strong><\/p>\n

Langgeng Art Foundation, Yogyakarta<\/strong><\/p>\n

28 November 2011 – 21 January 2012<\/strong><\/p>\n

Curators: Adeline Ooi & Beverly Yong<\/p>\n

We associate \u201cterritory\u201d with notions of demarcated land, of \u201cclaimed space\u201d. Photographs represent territories of the seen, remembered and photographed, sites in which the \u201creal\u201d might be claimed and re-invented.<\/p>\n

In many ways, photography can still be considered a new and empowering medium for Southeast Asian artists working with the image. Its immediacy, and its ambiguity, as a visual language of the real, allows for open and malleable readings of the complex and sometimes confounding, even incredible, realities which shape our peculiar experiences. Conversely, those realities invite fresh investigations into the meanings and potential of photographic images and processes.<\/p>\n

This exhibition gathers selected bodies of work by 16 artists from around the region who employ photography as a primary medium, or as a key medium within multi-disciplinary practices, highlighting a range of strategies through which these artists have claimed photography as a site of cultural, geographic, social and personal discourse.<\/p>\n

This is the first exhibition in the\u00a0 [SEA] programme at LAF,\u00a0 a series of annual exhibitions and talks aimed at building a greater understanding of Southeast Asian contemporary art contexts and practices.<\/p>\n

PARTICIPATING ARTISTS
\nAmanda Heng (SG)
\nAngki Purbandono (ID)
\nDavy Linggar (ID)
\nGina Osterloh (PH\/US)
\nIsa Lorenzo (PH)
\nIsmail Hashim (MY)
\nJulia Sarisetiati (ID)
\nKornkrit Jianpinidnan (TH)
\nLena Cobangbang (PH)
\nManit Sriwanichpoom (TH)
\nPaul Kadarisman (ID)
\nPoklong Anading (PH)
\nSteve Tirona (PH)
\nWimo Ambala Bayang (ID)
\nYee I-Lann (MY)
\nZhao Renhui (SG)<\/p>\n

[SEA] TALKS SERIES
\nA day of talks will be held at LAF on
\nSaturday, 10 December 2011
\n10:00 AM – 05:30 PM
\n[for registered participants]<\/p>\n

SESSION 1:
\nAdeline Ooi and Beverly Yong
\nGuided tour with Q & A sessions
\n10:00 AM – 12:00 AM
\n————-Lunch break————
\nSESSION 2:
\nPatricia Levasseur de la Motte
\nFrom photojournalism to conceptual
\nphotography: The emergence of art
\nphotography in Cambodia, Myanmar,
\nSingapore and Vietnam
\n01:00 PM – 03:00 PM
\n————-Coffee break———–
\nSESSION 3:
\nZhuang Wubin
\nIndependent photography in Southeast
\nAsia since 1980
\n03:30 PM – 05:30 PM<\/p>\n

For more info, or to register for the guided tour and talks, please contact Ms. Mala at +6281215500083 or info@langgengfoundation.org<\/p>\n

langgengfoundation.org<\/a><\/p>\n

SUPPORTED BY: ROGUEART<\/p>\n

With thanks to:<\/p>\n

Muzium & Galeri Tuanku Fauziah, Universiti Sains Malaysia
\nSilverlens Foundation
\nMr Hermanto (Garis Art Space)
\nPakhruddin & Fatimah Sulaiman<\/p>\n

Download the PDF catalogue here<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

[SEA] TERRITORIES OF THE REAL AND UNREAL: Photographic practices in contemporary Southeast Asian Art Langgeng Art Foundation, Yogyakarta 28 November 2011 – 21 January 2012 Curators: Adeline Ooi & Beverly Yong We associate \u201cterritory\u201d with notions of demarcated land, of \u201cclaimed space\u201d. Photographs represent territories of the seen, remembered and photographed, sites in which the […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":9,"menu_order":9,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2334","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.rogueart.asia\/ra\/wp-json\/wp\/v2\/pages\/2334","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.rogueart.asia\/ra\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.rogueart.asia\/ra\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.rogueart.asia\/ra\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rogueart.asia\/ra\/wp-json\/wp\/v2\/comments?post=2334"}],"version-history":[{"count":15,"href":"https:\/\/www.rogueart.asia\/ra\/wp-json\/wp\/v2\/pages\/2334\/revisions"}],"predecessor-version":[{"id":3832,"href":"https:\/\/www.rogueart.asia\/ra\/wp-json\/wp\/v2\/pages\/2334\/revisions\/3832"}],"up":[{"embeddable":true,"href":"https:\/\/www.rogueart.asia\/ra\/wp-json\/wp\/v2\/pages\/9"}],"wp:attachment":[{"href":"https:\/\/www.rogueart.asia\/ra\/wp-json\/wp\/v2\/media?parent=2334"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}