{"id":3017,"date":"2013-11-27T21:44:57","date_gmt":"2013-11-27T13:44:57","guid":{"rendered":"http:\/\/www.rogueart.asia\/ra\/?p=3017"},"modified":"2013-11-27T21:55:56","modified_gmt":"2013-11-27T13:55:56","slug":"singapore-biennale-2013-if-the-world-changed","status":"publish","type":"post","link":"https:\/\/www.rogueart.asia\/ra\/2013\/11\/27\/singapore-biennale-2013-if-the-world-changed\/","title":{"rendered":"Singapore Biennale 2013 : If The World Changed"},"content":{"rendered":"<p>The 4th Singapore Biennale: If The World Changed. 27 curators, 82 artists and collectives from 13, predominantly from Southeast Asia, at Singapore Art Museum, 8Q, the National Museum and the Peranakan Museum. Go to the Biennale <a href=\"http:\/\/www.singaporebiennale.org\/\">website.<\/a><\/p>\n<p>We caught the Biennale in parts during opening week&#8230; apologies for the limited pics&#8230;<\/p>\n<div style=\"width: 477px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" title=\"P1140644\" src=\"http:\/\/www.rogueart.asia\/ra\/wp-content\/uploads\/P1140644.jpg\" alt=\"\" width=\"467\" height=\"700\" \/><p class=\"wp-caption-text\">Anggun Priambodo, at the entrance of 8Q<\/p><\/div>\n<dl class=\"wp-caption aligncenter\" style=\"width: 384px;\">\n<dt class=\"wp-caption-dt\"><\/dt>\n<\/dl>\n<dl class=\"wp-caption aligncenter\" style=\"width: 384px;\">\n<dt class=\"wp-caption-dt\"><\/dt>\n<\/dl>\n<div>\n<dl id=\"attachment_3022\">\n<dt><a href=\"http:\/\/www.rogueart.asia\/ra\/wp-content\/uploads\/P1140667.jpg\"><img loading=\"lazy\" decoding=\"async\" title=\"P1140667\" src=\"http:\/\/www.rogueart.asia\/ra\/wp-content\/uploads\/P1140667.jpg\" alt=\"\" width=\"700\" height=\"467\" \/><\/a><\/dt>\n<dd>Adrian Ho &#8216;Fruits of Life, Full Production&#8217; (Malaysia) exhibited at SAM<\/dd>\n<\/dl>\n<\/div>\n<dl class=\"wp-caption aligncenter\" style=\"width: 384px;\">\n<dt class=\"wp-caption-dt\"><\/dt>\n<\/dl>\n<p>&nbsp;<\/p>\n<dl class=\"wp-caption aligncenter\" style=\"width: 384px;\">\n<dt class=\"wp-caption-dt\"><\/dt>\n<\/dl>\n<div style=\"text-align: center;\">\n<dl id=\"attachment_3023\">\n<dt><a href=\"http:\/\/www.rogueart.asia\/ra\/wp-content\/uploads\/P1140676.jpg\"><img loading=\"lazy\" decoding=\"async\" title=\"P1140676\" src=\"http:\/\/www.rogueart.asia\/ra\/wp-content\/uploads\/P1140676.jpg\" alt=\"\" width=\"700\" height=\"467\" \/><\/a><\/dt>\n<dd>Toni Kanwa (IND) at SAM<\/dd>\n<\/dl>\n<\/div>\n<dl class=\"wp-caption aligncenter\" style=\"width: 384px;\">\n<dt class=\"wp-caption-dt\"><\/dt>\n<\/dl>\n<p>&nbsp;<\/p>\n<dl class=\"wp-caption aligncenter\" style=\"width: 384px;\">\n<dt class=\"wp-caption-dt\"><\/dt>\n<\/dl>\n<div style=\"width: 710px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/www.rogueart.asia\/ra\/wp-content\/uploads\/P1140680.jpg\"><img loading=\"lazy\" decoding=\"async\" title=\"P1140680\" src=\"http:\/\/www.rogueart.asia\/ra\/wp-content\/uploads\/P1140680.jpg\" alt=\"\" width=\"700\" height=\"467\" \/><\/a><p class=\"wp-caption-text\">Nasirun, Between Worlds, at SAM<\/p><\/div>\n<p>&nbsp;<\/p>\n<p>There was an awful lot going on that week.<\/p>\n<p>At Gilman Barracks:<\/p>\n<dl id=\"attachment_3019\" class=\"wp-caption aligncenter\" style=\"width: 384px;\">\n<dt class=\"wp-caption-dt\"><a href=\"http:\/\/www.rogueart.asia\/ra\/wp-content\/uploads\/P1140614.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-3019 \" title=\"P1140614\" src=\"http:\/\/www.rogueart.asia\/ra\/wp-content\/uploads\/P1140614.jpg\" alt=\"\" width=\"374\" height=\"560\" srcset=\"https:\/\/www.rogueart.asia\/ra\/wp-content\/uploads\/P1140614.jpg 667w, https:\/\/www.rogueart.asia\/ra\/wp-content\/uploads\/P1140614-100x150.jpg 100w, https:\/\/www.rogueart.asia\/ra\/wp-content\/uploads\/P1140614-200x300.jpg 200w\" sizes=\"auto, (max-width: 374px) 100vw, 374px\" \/><\/a><\/dt>\n<dd class=\"wp-caption-dd\">Arin Rungjang at Future Perfect<\/dd>\n<\/dl>\n<p>&nbsp;<\/p>\n<div id=\"attachment_3020\" style=\"width: 710px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.rogueart.asia\/ra\/wp-content\/uploads\/P1140623.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-3020\" class=\" wp-image-3020 \" title=\"P1140623\" src=\"http:\/\/www.rogueart.asia\/ra\/wp-content\/uploads\/P1140623.jpg\" alt=\"\" width=\"700\" height=\"467\" srcset=\"https:\/\/www.rogueart.asia\/ra\/wp-content\/uploads\/P1140623.jpg 1000w, https:\/\/www.rogueart.asia\/ra\/wp-content\/uploads\/P1140623-150x100.jpg 150w, https:\/\/www.rogueart.asia\/ra\/wp-content\/uploads\/P1140623-300x200.jpg 300w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/a><p id=\"caption-attachment-3020\" class=\"wp-caption-text\">Shooshie Sulaiman at Tomio Koyama Gallery<\/p><\/div>\n<p>&nbsp;<\/p>\n<p>At NUS Museum:<\/p>\n<div id=\"attachment_3025\" style=\"width: 710px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.rogueart.asia\/ra\/wp-content\/uploads\/P1140687.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-3025\" class=\" wp-image-3025 \" title=\"P1140687\" src=\"http:\/\/www.rogueart.asia\/ra\/wp-content\/uploads\/P1140687.jpg\" alt=\"\" width=\"700\" height=\"467\" srcset=\"https:\/\/www.rogueart.asia\/ra\/wp-content\/uploads\/P1140687.jpg 1000w, https:\/\/www.rogueart.asia\/ra\/wp-content\/uploads\/P1140687-150x100.jpg 150w, https:\/\/www.rogueart.asia\/ra\/wp-content\/uploads\/P1140687-300x200.jpg 300w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/a><p id=\"caption-attachment-3025\" class=\"wp-caption-text\">Charles Lim&#8217;s Search of Raffles Light exhibition at NUS Museum<\/p><\/div>\n<p>&nbsp;<\/p>\n<div id=\"attachment_3026\" style=\"width: 710px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.rogueart.asia\/ra\/wp-content\/uploads\/P1140693.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-3026\" class=\" wp-image-3026 \" title=\"P1140693\" src=\"http:\/\/www.rogueart.asia\/ra\/wp-content\/uploads\/P1140693.jpg\" alt=\"\" width=\"700\" height=\"467\" srcset=\"https:\/\/www.rogueart.asia\/ra\/wp-content\/uploads\/P1140693.jpg 1000w, https:\/\/www.rogueart.asia\/ra\/wp-content\/uploads\/P1140693-150x100.jpg 150w, https:\/\/www.rogueart.asia\/ra\/wp-content\/uploads\/P1140693-300x200.jpg 300w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/a><p id=\"caption-attachment-3026\" class=\"wp-caption-text\">Michael Lee&#8217;s installation at NUS Museum<\/p><\/div>\n<p>&nbsp;<\/p>\n<p>At ICAS:<\/p>\n<div id=\"attachment_3027\" style=\"width: 710px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.rogueart.asia\/ra\/wp-content\/uploads\/P1140702.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-3027\" class=\"wp-image-3027 \" title=\"P1140702\" src=\"http:\/\/www.rogueart.asia\/ra\/wp-content\/uploads\/P1140702.jpg\" alt=\"\" width=\"700\" height=\"467\" srcset=\"https:\/\/www.rogueart.asia\/ra\/wp-content\/uploads\/P1140702.jpg 1000w, https:\/\/www.rogueart.asia\/ra\/wp-content\/uploads\/P1140702-150x100.jpg 150w, https:\/\/www.rogueart.asia\/ra\/wp-content\/uploads\/P1140702-300x200.jpg 300w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/a><p id=\"caption-attachment-3027\" class=\"wp-caption-text\">&#8216;Lost to the Future : Contemporary Art from Central Asia&#8217;, curated by Charles Merewether at ICAS<\/p><\/div>\n<p>&nbsp;<\/p>\n<div id=\"attachment_3028\" style=\"width: 477px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.rogueart.asia\/ra\/wp-content\/uploads\/P1140703.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-3028\" class=\" wp-image-3028 \" title=\"P1140703\" src=\"http:\/\/www.rogueart.asia\/ra\/wp-content\/uploads\/P1140703.jpg\" alt=\"\" width=\"467\" height=\"700\" srcset=\"https:\/\/www.rogueart.asia\/ra\/wp-content\/uploads\/P1140703.jpg 667w, https:\/\/www.rogueart.asia\/ra\/wp-content\/uploads\/P1140703-100x150.jpg 100w, https:\/\/www.rogueart.asia\/ra\/wp-content\/uploads\/P1140703-200x300.jpg 200w\" sizes=\"auto, (max-width: 467px) 100vw, 467px\" \/><\/a><p id=\"caption-attachment-3028\" class=\"wp-caption-text\">Lost to the Future at ICAS<\/p><\/div>\n<p>&nbsp;<\/p>\n<p>At Sculpture Square:<\/p>\n<div id=\"attachment_3029\" style=\"width: 710px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.rogueart.asia\/ra\/wp-content\/uploads\/P1140731.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-3029\" class=\" wp-image-3029 \" title=\"P1140731\" src=\"http:\/\/www.rogueart.asia\/ra\/wp-content\/uploads\/P1140731.jpg\" alt=\"\" width=\"700\" height=\"467\" srcset=\"https:\/\/www.rogueart.asia\/ra\/wp-content\/uploads\/P1140731.jpg 1000w, https:\/\/www.rogueart.asia\/ra\/wp-content\/uploads\/P1140731-150x100.jpg 150w, https:\/\/www.rogueart.asia\/ra\/wp-content\/uploads\/P1140731-300x200.jpg 300w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/a><p id=\"caption-attachment-3029\" class=\"wp-caption-text\">Lee Wen&#8217;s performance in the courtyard of Sculpture Square<\/p>\n<p>[caption id=\"attachment_3030\" align=\"aligncenter\" width=\"667\"]<a href=\"http:\/\/www.rogueart.asia\/ra\/wp-content\/uploads\/P1140746.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-3030\" title=\"P1140746\" src=\"http:\/\/www.rogueart.asia\/ra\/wp-content\/uploads\/P1140746.jpg\" alt=\"\" width=\"667\" height=\"1000\" srcset=\"https:\/\/www.rogueart.asia\/ra\/wp-content\/uploads\/P1140746.jpg 667w, https:\/\/www.rogueart.asia\/ra\/wp-content\/uploads\/P1140746-100x150.jpg 100w, https:\/\/www.rogueart.asia\/ra\/wp-content\/uploads\/P1140746-200x300.jpg 200w\" sizes=\"auto, (max-width: 667px) 100vw, 667px\" \/><\/a> Loo Zihan, Ray Langenbach&#8217;s Archive, at Ghost: The Body at the Turn of the Century<\/p>\n<p>&nbsp;<\/p>\n<p><\/p><\/div>\n","protected":false},"excerpt":{"rendered":"<p>The 4th Singapore Biennale: If The World Changed. 27 curators, 82 artists and collectives from 13, predominantly from Southeast Asia, at Singapore Art Museum, 8Q, the National Museum and the Peranakan Museum. Go to the Biennale website. We caught the Biennale in parts during opening week&#8230; apologies for the limited pics&#8230; Adrian Ho &#8216;Fruits of [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18,5,1],"tags":[338,342,339,343,337,340,335,227,334,336,224,230,341],"class_list":["post-3017","post","type-post","status-publish","format-standard","hentry","category-art-exhibitions","category-events","category-uncategorized","tag-adrian-ho","tag-anggun-priambodo","tag-arin-rungjang","tag-charles-lim","tag-charles-merewether","tag-lee-wen","tag-loo-zihan","tag-michael-lee","tag-nasirun","tag-ray-langenbach","tag-shooshie-sulaiman","tag-singapore-biennale","tag-toni-kanwa"],"_links":{"self":[{"href":"https:\/\/www.rogueart.asia\/ra\/wp-json\/wp\/v2\/posts\/3017","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.rogueart.asia\/ra\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.rogueart.asia\/ra\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.rogueart.asia\/ra\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rogueart.asia\/ra\/wp-json\/wp\/v2\/comments?post=3017"}],"version-history":[{"count":30,"href":"https:\/\/www.rogueart.asia\/ra\/wp-json\/wp\/v2\/posts\/3017\/revisions"}],"predecessor-version":[{"id":3061,"href":"https:\/\/www.rogueart.asia\/ra\/wp-json\/wp\/v2\/posts\/3017\/revisions\/3061"}],"wp:attachment":[{"href":"https:\/\/www.rogueart.asia\/ra\/wp-json\/wp\/v2\/media?parent=3017"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.rogueart.asia\/ra\/wp-json\/wp\/v2\/categories?post=3017"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.rogueart.asia\/ra\/wp-json\/wp\/v2\/tags?post=3017"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}